IN CROOKED WONDERMENT Release Dark New EP "Regicide": Cinematic, Folk Laden Rock
- Riley Edmett
- Aug 13
- 2 min read
Steeped in gothic themes, IN CROOKED WONDERMENT have prided themselves on their strong lyrics and enticing soundscapes, creating a unique, folk laden sound. Latest EP "Regicide" sees the band venture into cinematic territory, with a release that masterfully straddles the often thin line between rock and folk.
Opener "The Fine Art Of Regicide" starts off with a resonant, emotive acoustic guitar. There is a particular folky sound to this, especially when the stomping rhythm of a kick drum joins in. The vocals are low and solemn, reverberating slightly in the mix, carrying a theatrical edge.
The track takes some time to build up, layers swelling and building, but the payoff comes at the four minute mark. The track explodes with heaviness - low, groovy guitar riffs, screaming vocals, an angrier edge. This is short-lived, but strong.
"Beaten By The Witch" has all the makings of a great live staple - upbeat energy, a bouncy rhythm, and a catchy melody (the lead guitar melody in the chorus is begging for some 'woahs').
It's probably the simplest track on the EP, structurally and melodically, but it delivers a great blend of folk undertones and alt rock grit. It's effective for a reason.
Slightly slower track "Ink Angel" is a great display of vocals, the whole soundscape sounding very cinematic in its delivery. It's moody, groovy and almost foreboding.
The bridge/build up is effective, sneaking in some shouting vocals, a reminder that this is still a rock band. However, the 'folk' aspects definitely take centre stage here, showcasing the band's more bardic technicalities.
"Holy War", in comparison, brings the rock back. A dirty, palm muted guitar riff kicks the track of, before giving way to a very tribal-esque rhythm. The main vocals sound incredibly theatrical, not sounding out of place on a West End stage (as to be expected with vocalist Conor's ties to theatre acting), and backing vocals add powerful chants. It sounds angry, sinister, marching.
Penultimate track "Burn The Heretic" is an almost sorrow affair, the sound of crackling fire and an audience adding to the atmosphere and blending well as the track takes a heavier turn.
"Villains", similarly, toys with expectations, delivering a rollercoaster of dynamics: medieval guitar, booming bass hits, and heavy, foreboding chords. All of this is a backdrop for Conor's powerful vocals, carrying plentiful amounts of grit and anger as the final notes hit. It's powerful, dark, and a great way to wrap up the EP.
I've always said one of the main differences between folk and metal is heavy, distorted guitars. With "Regicide", In Crooked Wonderment echo this sentiment well.
There are plenty of heavy moments to please rock and metal fans, and even the most folky moments pack dark, emotive punches.
"Regicide" is out NOW on streaming platforms
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